It will gain public visibility much in the same way that Corporate Social Responsibility has. In the years to come, we feel that Corporate Digital Responsibility will become a standard against which all organizations are held accountable. It helps organizations to balance the vast opportunities that new technologies bring with the cautionary question: is this the right thing to do? So what is Corporate Digital Responsibility (CDR)?ĬDR is a set of guiding principles that support organizations in developing their digital strategy with these broader societal elements in mind. It is one of the main reasons why we feel that Corporate Digital Responsibility is the way forward. This is a prime example of how financial services organizations and those companies who push the frontiers of technology to bring digital products and services to the citizen, need to do so in a manner that is ethical and conscious of its impact on people like you and I - the people that embrace the change, and perhaps even more importantly, those who don’t. This feeling of Digital Exclusion is a new form of vulnerability in our Digital Society. You wouldn’t be alone if you felt discomfort with any of those concepts (indeed, you would have me for company), yet these things exist today. › How do you feel about having adverts pop-up on your social media feed for something you were just talking to your friend about? › How do you feel about meeting strangers in virtual reality chat rooms? › How do you feel about having a voice assistant in your bedroom, listening to everything you say and do? As the pace of technological change increases, and the concepts become more radical and invasive, the Digital Divide will affect all of us in one way or another. This is what we, in the Atos Scientific Community, have coined as the new Digital Divide in our society.īut let us not fall into the trap of thinking this is all about age. They have not been persuaded that this technology should feature in their lives.Ĭonversations with my Gran make me realize that not everyone has embraced this ‘Digital Revolution’ that we hyperbolize so often. The reasons why people have chosen to snub technology are deep-rooted – often they extend beyond a lack of access or connectivity, to a lack of trust, comfort or practicality. In 2016, the Federal Reserve found that only 18% of people over the age of 60 used online banking. My Gran is not alone in feeling this way. No, I really would not be happy, and all this talk about security - it just scares me even more.” “ Because I am terrified of it, that I would do something really silly, put too many noughts on the end of something. Not too long ago, I asked my Gran why she doesn’t use online banking on her iPad. This is what Corporate Digital Responsibility (CDR) seeks to achieve to guide the progress of technological change and application in the years to come.Ī grand ambition, admittedly, but for me the inspiration and passion for CDR lies very close to my heart.ĭigital Exclusion: A new form of vulnerability in the digital world Huge media attention has highlighted the failure of some organizations to do so in recent years. Now more than ever, whether through messenger-bots, data analytics or voice applications, financial services organizations are leveraging technology to forge a more intimate relationship with their customers.Īs the sector pushes the boundaries of technology, and in doing so becomes more influential in the lives of customers, it needs to be careful that it does so with the right values at heart, staying on the right side of the public conscience.
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The bureau does “not observe any pipeline decommissioning activities, inspect pipelines after their decommissioning, or verify most of the pipeline decommissioning evidence submitted,” according to the report. “Such a high rate of approval indicates that this is not an exception, however, but rather that decommissioning-in-place has been the norm for decades,” the report found. The same goes for more than 18,000 miles of abandoned pipelines and wells, part of a vast ocean of infrastructure without any clear decommissioning standards or process for removal.Ī report from the US Government Accountability Office found that the Bureau of Safety and Environmental Enforcement (BSEE) under the US Interior Department has allowed the oil and gas industry to leave 97 per cent of unused pipelines in place since the 1960s. In the US, however, the agency tasked with supervising a sprawling network of active offshore oil and gas pipelines – nearly 9,000 miles of them in the Gulf of Mexico alone – does not have a “robust oversight” process or require any below-surface inspections, according to a recent federal government watchdog report. In a surreal scene, the blaze appeared to dwarf three firefighting boats blasting water cannons. A fire on the surface of the Gulf of Mexico erupted after a gas leak from an underwater pipeline sparked a blaze, according to Mexico’s state-owned Pemex petrol company (Twitter/Manuel Lopez San Martin)Ī ring of fire on the surface of the Gulf of Mexico following a ruptured gas pipeline has renewed scrutiny into the state of thousands of miles of oil and gas infrastructure in the gulf.įootage of the fire – appearing to boil the ocean’s surface with bright orange flames – went viral on 2 July after a leak was reported near a platform used for offshore drilling by Mexico’s state-owned oil company Pemex. With help from Joe's estranged son, Wally West ( Keiynan Lonsdale), who becomes the heroic speedster Kid Flash, Barry must find a way to defeat a god-like being. When he undoes it, he inadvertently changes the timeline and gives rise to the villain Savitar ( Tobin Bell), who seeks to kill him and everyone he loves. In the third season, Barry creates another timeline dubbed " Flashpoint" after going back in time to save his mother. To stop him, they will have to join forces with the Flash of Earth-2, Jay Garrick ( Teddy Sears). The second season sees Barry and his allies dealing with the ramifications of their battle with the Reverse-Flash when a villainous speedster called Zoom ( Tony Todd) arrives from the parallel universe, Earth-2, to kill all speedsters in the multiverse. The memory of his mother's murder and his father's framing later motivates Barry to put his personal needs aside and use his powers to fight against those who hurt the innocent, thus, shaping him into the Flash. Martin), father of his best friend, Iris ( Candice Patton), to take in the young Barry. The murder investigation unjustly imprisoned his father ( John Wesley Shipp), leaving detective Joe West ( Jesse L. Harrison Wells ( Tom Cavanagh) in his attempts to use his powers for good and solve the murder of his mother by a superhuman attacker. Caitlin Snow ( Danielle Panabaker), Cisco Ramon ( Carlos Valdes), and Dr. The first season follows police forensic investigator Barry Allen ( Grant Gustin), who develops super-speed after he is struck by lightning. SAVITAR ACTION FIGURE SERIESThe series is a spin-off from Arrow, and set in the same fictional universe. The series premiered on The CW television network in the United States on October 7, 2014, and has concluded its seventh season. The Flash is an American television series developed by Greg Berlanti, Andrew Kreisberg, and Geoff Johns, based on the DC Comics character the Flash. Main cast members ( L–R) Valdes, Panabaker, Cavanagh, Gustin, Martin, Patton, and Cosnett at PaleyFest 2015 You are following a safe distance behind a vehicle and can see a bus stopped in the left lane up ahead. You are travelling 60km/h in the right lane of a busy 4-lane road. You are travelling along a two-way road in a 60km/hour speed zone. Leaving the response too long after you pass the sign will be a bad response. The correct answer is to respond when you see the T-intersection warning sign or very soon after you pass it. You pass a T-intersection warning sign on the left hand side of the road and eventually approach this intersection. You are travelling 90km/h along an unmarked country road with fenced paddocks on either side. You are travelling along a two-way road in a 100km/hour speed zone. As such, the correct answer is not to respond – just let the clip play until it is complete. While the truck is waiting to make its turn you cannot proceed safely as you do not have sufficient visibility to ensure the turn will be safe. There is a truck in the same situation on the opposite side of the intersection attempting to turn in front of you. When this happens, you cannot proceed safely as you do not have sufficient visibility to ensure the turn will be safe. There is no opportunity to make the turn before the white van reaches the other side of the intersection. You do not have a dedicated green arrow and must wait for a safe break in traffic to make the turn. You want to turn right at a set of traffic lights that control a busy intersection. You wish to turn right at the intersection.Ĭlick the 'REACT' button when it would be safe to go. It doesn’t have to be as soon as you see her, but you shouldn’t wait until she moves onto the road. The correct answer is to respond as you approach the woman and realise the potential of the situation. A woman with a pram will become visible walking along the left hand side of the road. The correct answer is to respond as soon as you see the vehicle reversing from the driveway. Although your focus is drawn to the oncoming vehicle, a station wagon will begin to reverse out of a driveway on the left hand side of the street. You are moving along a suburban street with an oncoming vehicle. You are travelling along a two-way road in a 50km/hour speed zone.Ĭlick the 'REACT' button when you would slow down. #BOOK HAZARD PERCEPTION TEST FREE#Feel free to review this commentary if you are unsure of an answer when completing the test.ĭon't forget to check out the other HPT practice tests: Click here to be taken to the Practice Test 1 for the Hazard Perception Test (HPT)ĭriving Test NSW provides information on each question and the appropriate response. Now, and here comes the nuanced but important point, any audio recorded at the same time with video will sync with the specific frame rate used when recording that video. If I give you an audio file and nothing else, you could easily figure out the bit depth and sampling rate but you would have no idea about the frame rate used on the associated video. Audio doesn´t intrinsically have a frame rate value the same way it has a bit depth and sampling rate. Some people think that audio can be set to be recorded at a certain frame rate the same way it can be set to be recorded at a certain sampling frequency. Let´s see how this kind of conversion is done. #Gswitch porn movieThis would happen if, for example, a movie (24 fps) is brought into european TV (25 fps) or an american TV programme (29.97 fps) is brought into India, which uses PAL (25 fps). The amount of motion is also very important, higher fps will be the best at showing fast motions.īut how can these different frame rates affect audio sync? The problem usually starts when a project is filmed at a certain rate and then converted to a different one for distribution. Videogames, which many times use high frame rates like 60 fps and beyond, are partially responsible for this taste shift. This is probably a cultural perception and is definitely changing. 24 fps “feels” cinematic and “premium” while sometimes the higher frame rates used in TV feel “cheap”. Keep in mind that these frame rates are different not only on a technical level but also on a stylistic level. 24 frames per second (or just fps) is the standard for cinema, while TV uses 25 fps in europe (PAL) and 29.97 fps in the US (NTSC). This value is simply how many pictures per second are put together to create our film or video. There´s a lot to be said on the subject of frame rate but I will just keep it short. This doesn´t really affect the pull up/down process. Higher values will give us more dynamic range, since a bigger range of intensity values will be captured. It measures hoy many bits we use to encode the information of each of our samples. This is the other parameter that we need to take into consideration when converting to digial audio. Something that is important to remember and that will become relevant later on is that a piece of audio is always going to be the same lenght as long as it is played at the same sample rate that it was recorded.įor the sake of completion, I just want to mention audo resolution (or bit depth) briefly. #Gswitch porn fullOnce we know this, let´s see the most comonly used sampling rates:Īs you can see, most professional formats use a sampling rate higher than 40 Khz to guarantee that we capture the full frequency spectrum. Since the highest frequency humans can hear is around 20Khz, a sampling rate of 40Khz should suffice. It basically says that we need about twice the sampling rate of the highest frequency we want to capture. The Nyquist-Shannon sampling theorem gives us a very good estimation. So how fast do we need to be for accurate results? Keep in mind that if our sampling rate is not fast enough, we won´t be able to “capture” the higher frequencies since these would fluctuate faster than we can measure. The number of times we do this per second is what determines sampling rate and is measured in Hertzs. In order to get a faithful signal, we need to sample our waveforms many times. These “points” are usually called samples. Whenever we are converting an audio signal from analogue to digital, all we are doing is checking where the waveform is at certain “points” in its oscilation. #Gswitch porn freeFeel free to skip this if you have it fresh. First, we need to understand some basic digital audio concepts. Interrogation interior - is a good example. Lightsaber intensity only rises in brillianceĪnd color saturation, ditto laser blasts.īlack level depth is superior in space and in various low light shots the beginning of chapter 11 - a star destroyer exterior followed by a low light Takodana greenery also enjoys impoved color depth, variation, stability, and accuracy. DeeperĪnd warmer tones define the scene, and the added depth to the droid's orange accents serve as one of the picture's highlights, not just in this scene but When Rey first meets BB-8 in chapter 10, the scene has a much more pronounced dusk feel to it. Visually satisfying compared to the Blu-ray. Poe's X-wing blows up in spectacular fashion, a light show that is many times more intense and It's more intense, the villain's black mask and surrounding fabrics findĪ new gear for depth, fiery backgrounds and bright red laser blasts present with more intensity and punch, and white stormtrooper uniforms are deeperĪnd more reflective of the lighting and environment. The opening sequence when Ren and some stormtroopers arrive on the planet and confront andĬapture Poe Dameron is certainly darker on the UHD, but to the image's benefit. #Review force awakens movie#The HDR color spectrum compliments the movie well. Digital and practical elements blend with seamless clarity and detail flow. Facial textures are as intimately precise as can be, whether considering pores, wrinkles, beads of Viewer to reach into the screen with a cleaning cloth. Wear and tear and grime onįN-2187's stormtrooper suit couldn't be more precise, ditto the edge wear and caked-on dirt seen on BB-8's spherical body both practically beg the Sharpness abounds, clarity never falters, intimacy never retreats. The world textures are amazing, from glossy First Order ship interiors to the sandy Jakku Grain is fine and flattering, filling the screen with a beautiful, naturally accentuating layer that serves as theįoundation for the rest of the picture. Leave well enough alone with The Force Awakens and present the film on UHD with a beautifully filmic presentation that accentuates, rather While Disney's batting average is low with the original trilogy and only respectable with the prequel trilogy, the studio has chosen to There is no video presentation change between the bundled Blu-ray and that #Review force awakens 1080p#The included screenshots are sourced from a 1080p Blu-ray disc. #Review force awakens full#Information to those in desperate need of it.įor a full film review, please click here. Information, but they'll need more help than an old, practically mothballed, Corellian freighter if they're to survive the pursuit and get the She's soonĪided by a morality driven Stormtrooper who has fled The First Order and taken to the name "Finn" (John Boyega). Rey (Daisy Ridley), a scavenger who has lived a life shrouded in the haze of a destiny greater than selling off scraps for bites of food. Dameron is captured, but his droid, BB-8, escapes with the information and stumbles upon Vital data that could lead The Resistance to Skywalker. General Leia Organa (Carrie Fisher) has sent The Resistance's best pilot, Poe Dameron (Oscar Isaac), to the planet Jakku to retrieve One goal: to track down the long-missing Luke Skywalker, the Jedi who stands in the way of The First Order and represents the only hope for The The Rebellion remains, though it's been rebranded as The Resistance. More powerful than the Death Stars before it. Serkis), General Hux (Domhnall Gleeson), and Kylo Ren (Adam Driver), the organization has constructed a new weapon many times larger and The Empire has been destroyed, but in its place a new menace to the galaxy has emerged: The New Order. A number of supplements are included on a dedicated Blu-ray disc. New specifications include 2160p/HDR video andĭolby Atmos audio. Reviewed by Martin Liebman, April 7, 2020ĭisney has released 2015's 'Star Wars: Episode VII - The Force Awakens' to the UHD format. Star Wars: Episode VII - The Force Awakens 4K Blu-ray Review
#Steven universe no longer home comic trialI LOVE that we got a little side adventure with the Off Colors, and some of the proposed insecurities for Lars and his Gem crew were really interesting–we got some wish fulfillment featuring Lars apologizing to Sadie and reconnecting with her in a hallucination, and we saw some really disturbing nightmares haunting the Off Colors–the Rutile Twins being split up, Rhodonite finding herself scared and back in the Kindergarten, Fluorite on trial in front of the Diamonds for being a Fusion–but overall I thought some of the characterization choices were strange and sometimes the stakes were confusing. But if you prefer having them all together and want the variant cover art, pick it up! There is NO other new content in the book, so if you only care about having all the stories and already own individual issues, there is no need to get this. #Steven universe no longer home comic how to(Psst–I collect the individual issues and I am still looking for Xiao Tong Kong’s Garnet fusions cover! It’s the only one I don’t have! Message me if you know how to find it!) Convention Exclusive Cover - Xiao Tong KongĬHAPTER TWENTY-SEVEN continues the story of Lars and the Off-Colors as they struggle with the effects of the mysterious nebula.įor issue 27 there were three variant covers:ĬHAPTER TWENTY-EIGHT concludes the story of Lars and the Off-Colors as they face their biggest fears under the influence of hallucinogenic nebula gases.įor issue 28 there were three variant covers: Convention Exclusive Cover - Xiao Tong KongĬHAPTER TWENTY-SIX is about Lars and the Off-Colors as they take their chances in a nebula trying to escape Emerald.įor issue 26 there were three variant covers:ģ. Unlocked Retailer Variant Cover - Jen BartelĤ. They also did something a little different with the covers: including the main cover as the “chapter” cover (they call the issues “chapters” in this compilation), with the variant cover after each chapter, and then only including the special convention covers in a cover gallery at the end.ĬHAPTER TWENTY-FIVE is about Lars and the Off-Colors attempting to use everyone’s finest skills and lessons learned to escape from Emerald … again!įor issue 25 there were four variant covers:ģ. There’s not much point in writing up rereleased content, but just for your info, I’ll spotlight the included stories and list the variant covers! Unlike other volumes, all of the issues in this compilation are connected as they tell an ongoing story for four issues–a situation that is unprecedented elsewhere in the ongoing series. I had already written outlines and reviews of the four comics as they came out. There’s not much point in writing up rereleased c The seventh graphic novel compilation of the ongoing Steven Universe comics is out! It is called Our Fearful Trip.Īs with many comics originally released in individual issues, the publishers later released this trade paperback compilation of the issues 25 through 28 in Volume 7, with more volumes scheduled for release after the individual issues have been out a while. As with many comics originally released in individual issues, the publishers later released this trade paperback compilation of the issues 25 through 28 in Volume 7, with more volumes scheduled for release after the individual issues have been out a while. The seventh graphic novel compilation of the ongoing Steven Universe comics is out! It is called Our Fearful Trip. But how deep is this newfound confidence? And what happens when the entire crew’s lives depend on him? Blas and Bagnoli blast us into hyperspace for an out-of-this-world journey into a mysterious nebula that forces our daring cast of gems, humans, and fusions to confront their deepest, darkest fears.Īcclaimed writer Terry Blas ( Hotel Dare) and artist Gabriele Bagnoli reveal Lars and the Off Colors’ hidden truths, as Steven and Connie join them in space for a mind-bending adventure no fan can miss. And now with the Off Colors as his dependable and devoted crew, he’ll travel even further into the cosmos. TO BOLDLY GO WHERE NO GEM HAS GONE BEFORE!įrom slinging donuts in Beach City to swashbuckling his way across the galaxy in a stolen spaceship, Lars has come a long way. #Steven universe no longer home comic seriesAnd now with the Off Colors as his dependable and devoted crew, h All new stories from the world of the Cartoon Network Emmy® Award-nominated series Steven Universe™, featuring an all new story about Lars. TO BOLDLY GO WHERE NO GEM HAS GONE BEFORE! 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